04_BIOTECH
Editorial: Cowboys and Indians
Federico de Giuli
Loud Speakers, Silent Listeners
Helen Evans
Berlin: Contrasts and Experimentation
Tatiana Bazzichelli
Bang Bang!
Marcia Caines
A Season in Hell
Kenneth Aronson – Domenico Quaranta
Beetitude
Graeme Thomson
Unexpected Voyages
Corrado Curti
Material Phenomena
Claudia De Giorgi
Letras Latinas
Cecilia Consolo
The Freedom of Geometry
Nanni Strada – Matteo Pastore
Kings of Disturbance
Roberto Paci Dalò – Domenico Quaranta
Genius Meets Business
Grazia Longo
Biotech: the Scientist’s View
Lorenzo Silengo – Fiorella Altruda
(Download PDF)
An Inadequate Law
Umberto Veronesi
Biotechnology of the Unpredictable
Telmo Pievani
(Download PDF)
The Animal in Us
Marialuisa Lavitrano
Consuming Monsters
Anthony Dunne – Fiona Raby
Utility Pets
Walter Aprile – Stefano Mirti
Argentina: the Great Transgenic Soya Experiment
Enrique Garabetyan
The ©orporate Voice
Gabriele Fontana
What’s Cooking?
Biotech Ambiguity
Michele Luzzatto
Speak Up
Gilberto Corbellini
The Butterfly Effect
Paolo Brianzi
Artificially Alive
Anthony Marasco
Bioart as a Crime
Marco Deseriis
Biotech Art – the Return of the Renaissance Artist?
Melentie Pandilovski
Monstruorum Historia
Karin Andersen
Follow the Green Rabbit
Eduardo Kac – André Brasil – Eduardo de Jesus
Semi-living Art
Oron Catts – Domenico Quaranta
Naturally Modified Organisms
Gianpaolo Accotto
Biotech and Industry: an Italian Example
Fabrizio Conicella – Silvano Fumero – Roberto Ricci
AB+ Gallery: Cluster Visions
Darwin Is Back
Gilberto Corbellini
I Sing the Body Extended
Anthony Marasco
More Ways of Seeing
Paolo Verri
A Portrait of Geneva
John Berger
The Subject and the World in Alighiero e Boetti
Corrado Levi
World Political Forum: I Had a Dream
Mikhail S. Gorbachev
Re-designing Borders
Predrag Matvejevic’
Postcards from the World: from the Forbidden City
Stefano Mirti
Timeshift
Lorenzo Taiuti
The Future Seen from the Past: In the Future, Honeymoon… and Engagements Trips!
Piero Gondolo della Riva
Preview: The Connected Environment
Françoise Choay
